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	<title>Fernanda Carlovich</title>
	<link>https://fernandacarlovich.com</link>
	<description>Fernanda Carlovich</description>
	<pubDate>Mon, 09 Feb 2026 17:39:46 +0000</pubDate>
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		<title>CV</title>
				
		<link>https://fernandacarlovich.com/CV</link>

		<pubDate>Fri, 17 Jun 2022 18:24:24 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

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	CV
	EDUCATION




M.Sc. Critical, Curatorial, and Conceptual Practices
Columbia University, GSAPP &#124; 2018 - 2020, New York US




B.A. Architecture and Urbanism
University of Sao Paulo, FAU &#124; 2010 - 2015, Sao Paulo BR




B.A. Architecture, Spaces and Objects
Science Without Borders Fellowship
UAL, Central Saint Martins &#124; 2013 - 2014, London UKPROFESSIONAL EXPERIENCE



San Francisco Museum of Modern ArtSenior Exhibition Designer &#124; 2024 - present, San Francisco US

Exhibition Designer &#124; 2022 - 2024, San Francisco US



As a member of SFMOMA’s Design Studio department, I collaborate with curators, artists, conservators, educators, and fabricators to implement exhibitions, installations, and capital projects that translate SFMOMA’s mission into a vibrant and cohesive built environment experience. I produce conceptual sketches and renderings, digital and physical models, and construction drawings to help bring these projects to life.

Torkwase Dyson Studio
Creative Director &#124; 2019 - 2022, New York USDesigned exhibitions of the artist's work in several institutions such as Pace Gallery New York, Parrish Art Museum, Mississippi Museum of Art, Wexner Center for the Arts, and Shanghai Architecture Biennial. Assisted the artist with the design of sculptures. Managed the studio's numerous projects.


NHDM Architects
Freelance Designer &#124; 2019 - 2020, New York USDesigned and executed exhibitions at the Seoul Architecture Biennial and Venice Architecture Biennial; Coordinated the fabrication of exhibition’s artifacts. 




Arthur Ross Architecture Gallery
Exhibitions Assistant &#124; 2018 - 2020, New York USAssisted Director of Exhibitions Irene Sunwoo in the research and design of exhibitions such as Offsetted by Cooking Sections, 1919: Black Water by Torkwase Dyson, Prospecting Ocean by Armin Linke.




Andrade Morettin Architects 
Architect &#124; 2014 - 2018, Sao Paulo BRDesigned and executed exhibitions at MAM Sao Paulo, IMS Sao Paulo, and IMS Rio de Janeiro. Contributed to architectural projects such as IMS Sao Paulo (2018 MCHAP finalist) and IMPA Institute with the design of plans, construction details,&#38;nbsp; and documents.




Grupo SP
Architect Individual Contributor &#124; 2018, Sao Paulo BRCreated design plans, conceptual drawings, and 3D renderings for the office’s winning proposal for the SESC Limeira Cultural Center. 




Collectif Exyzt 
Summer Internship &#124; 2014, London UKContributed to the design and fabrication of the collective’s projects such as Croydon Foodhub and The Festing Mouth at the Tate Modern. 




NGO Teto
Volunteer Work &#124; 2011 - 2012, Sao Paulo BRConstruction of emergency housing for families in extreme poverty.



SELECTED EXHIBITIONS


Bird and Lava, Torkwase Dyson – Bodies Of Water: The 13th Shanghai Biennale, 2021;
1919: Black Water, Torkwase Dyson – Columbia University, Arthur Ross Architecture Gallery, 2019;
I Can Drink the Distance, Torkwase Dyson – Performa and Pace Gallery New York, 2019;
Interim Urbanism: Youth, Dwelling, City, NHDM – Seoul Biennale of Architecture and Urbanism, 2019;
Corpo a Corpo – IMS Sao Paulo, 2017;
The Clock, Christian Marclay – IMS Sao Paulo, 2017;
Guignard: The Visual Memory of Modern Brazil – MAM-SP Museum of Modern Art Sao Paulo, 2015.
SELECTED PUBLICATIONS

“Traveling Dome” Critic&#124;all IV International Conference on Architectural Design &#38;amp; Criticism, 2020;"The Imminence of an Event: Fernanda Carlovich in conversation with Carla Juaçaba" PLAT 8.0, 2019;"Instituto Moreira Salles by Andrade Morettin,” October 2017, Architectural Review;"Project for an exploding building" (27th Opera Prima Awarded Project) March 2017, Revista Projeto. 
SKILLS

Strong research, writing, and communication skills; AutoCAD, Sketchup, Vectorworks, Rhinoceros, Twinmotion, Microsoft Office Suite, Adobe Photoshop, Adobe Illustrator, and Adobe Indesign.Experience with managing various concomitant projects, resourceful, detailed oriented, and organized.Portuguese, English, and Spanish speaker.
	












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		<title>Index</title>
				
		<link>https://fernandacarlovich.com/Index</link>

		<pubDate>Tue, 14 Jun 2022 21:08:55 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

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	<item>
		<title>Exhibitions</title>
				
		<link>https://fernandacarlovich.com/Exhibitions-1</link>

		<pubDate>Tue, 14 Jun 2022 12:47:02 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

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		<title>Alejandro Cartagena: Ground Rules</title>
				
		<link>https://fernandacarlovich.com/Alejandro-Cartagena-Ground-Rules</link>

		<pubDate>Mon, 09 Feb 2026 17:39:46 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

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		<description>Alejandro Cartagena 
Ground RulesSFMOMA, November 2025&#38;nbsp;
curator: Shana Lopes

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		<title>Breach, Workshop for Environmental Technik (WET)</title>
				
		<link>https://fernandacarlovich.com/Breach-Workshop-for-Environmental-Technik-WET</link>

		<pubDate>Sat, 07 Oct 2023 22:00:48 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

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		<description>

Breach

Workshop for Environmental Technik (WET)&#38;nbsp;
80WSE Gallery, August 2023&#60;img width="4915" height="7373" width_o="4915" height_o="7373" data-src="https://freight.cargo.site/t/original/i/549506f4fa975989c76ba24c221d71caeb8e2a6add7f7a55b0233b83b696617c/_DSC6320-2.jpg" data-mid="193031018" border="0"  src="https://freight.cargo.site/w/1000/i/549506f4fa975989c76ba24c221d71caeb8e2a6add7f7a55b0233b83b696617c/_DSC6320-2.jpg" /&#62;
&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/e20e53aff022b7c185bb080523dd01bfbac2cb482d120eb414ab4eb5495c567d/_DSC6321-3low.jpg" data-mid="193031148" border="0"  src="https://freight.cargo.site/w/1000/i/e20e53aff022b7c185bb080523dd01bfbac2cb482d120eb414ab4eb5495c567d/_DSC6321-3low.jpg" /&#62;
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&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/7edd4a0c1f27b410854227d9d1ea10a2957c345eb9cef8cb40f8cb15782347e7/IMG_5489low.jpg" data-mid="193031168" border="0"  src="https://freight.cargo.site/w/1000/i/7edd4a0c1f27b410854227d9d1ea10a2957c345eb9cef8cb40f8cb15782347e7/IMG_5489low.jpg" /&#62;

	&#60;img width="2727" height="3636" width_o="2727" height_o="3636" data-src="https://freight.cargo.site/t/original/i/68429f18e41e9db0a2eeab556f6a3d3a6fc86c304a93c604a9c0ebfe6ba287a9/IMG_5498.jpg" data-mid="193030968" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/68429f18e41e9db0a2eeab556f6a3d3a6fc86c304a93c604a9c0ebfe6ba287a9/IMG_5498.jpg" /&#62;
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“Breach gestures to the ruin of climate catastrophe, historically situating a crisis by design. It examines the self-published archives of the United States Army Corps of Engineers, a pervasive yet inconspicuous design agency established in the early 19th century. Delving into the bureaucratic overflow of the Corps’ involvement in producing so-called “water-related infrastructures,” this research project documents an object-array of levees, dams, beaches, and walls that constitute a synthetic yet perpetually naturalized environment. In suspending an achronological accumulation of technical reports, photographic scans, and audiovisual files, the exhibition recasts the apparatus of the Corps’ mediatic production in a counter-archive of environmental techniques. This armature reconsiders the discursive scaffolds sustaining the uneven development of militarized frontiers of extraction, mitigation, and pacification, holding open the epistemic floodgates for breaching otherwise. This exhibition is part of the ongoing work of the Workshop for Environmental Technik (WET), a group founded by researchers Ricky Ruihong Li and Isabelle A. Tan dedicated to the experimental study of environmental politics. Their collective work explores the architectures by which territories of the Natural have been marked, unmarked and remarked upon.”



	



	80WSE Gallery

NYU Steinhardt: Department of Art and Art Professions

New York NY



August 2023



Workshop for Environmental Technik (WET) is Isabelle A. Tan and Ricki Ruihong Li. 



Curator: Howie Chen

Gallery Manager: Jon Huron

Photos: Courtesy 80WSE and WET
My role: Exhibition Design
	
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		<title>Bird and Lava, Torkwase Dyson</title>
				
		<link>https://fernandacarlovich.com/Bird-and-Lava-Torkwase-Dyson</link>

		<pubDate>Wed, 15 Jun 2022 11:58:32 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

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		<description>Bird and Lava
Torkwase Dyson
Bodies of Water
April 17–July 25, 2021

Power Station of Art, 200 Huayuangang Road
Huangpu District, 200011 Shanghai, China

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		<title>Corpo a Corpo</title>
				
		<link>https://fernandacarlovich.com/Corpo-a-Corpo</link>

		<pubDate>Tue, 09 Mar 2021 19:42:08 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

		<guid isPermaLink="true">https://fernandacarlovich.com/Corpo-a-Corpo</guid>

		<description>Corpo a Corpo
IMS Paulista, Setembro 2017


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Body against body: The battle of images, from photography to live streaming. A panorama of contemporary Brazilian photography, film, and video through the work of six young Brazilian artists who discussed how the body could be used as an element of social representation, political action, religiosity and cultural expression. It was a great honor to contribute to such an important project that expanded the discussion of contemporary Brazilian society to a variety of people from all kinds of social condition and political thoughts.

	



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	Corpo a Corpo
curator: Thyago Nogueira
photographer: Pedro Vanuchi
September 2017
IMS Paulista
My role: Exhibitions Designer at Andrade Morettin Arquitetos
	
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	<item>
		<title>Torkwase Dyson at "Set It Off"</title>
				
		<link>https://fernandacarlovich.com/Torkwase-Dyson-at-Set-It-Off</link>

		<pubDate>Wed, 15 Jun 2022 01:34:18 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

		<guid isPermaLink="true">https://fernandacarlovich.com/Torkwase-Dyson-at-Set-It-Off</guid>

		<description>Torkwase Dysonat "Set If Off"Parrish Art Museum May 2022
&#60;img width="3600" height="2395" width_o="3600" height_o="2395" data-src="https://freight.cargo.site/t/original/i/7258df29e70bbb3dd4e074d0149e03dae078025a573ad0c83200214a3c8b6cd3/Dyson-1-BFA_35062_4799852.jpg" data-mid="145459073" border="0"  src="https://freight.cargo.site/w/1000/i/7258df29e70bbb3dd4e074d0149e03dae078025a573ad0c83200214a3c8b6cd3/Dyson-1-BFA_35062_4799852.jpg" /&#62;
&#60;img width="3600" height="2395" width_o="3600" height_o="2395" data-src="https://freight.cargo.site/t/original/i/603a8ac580a73505c0c02683e0ba4cd2307e970a5a4bc705c3142b16d7b36265/Dyson-2-BFA_35062_4799855.jpg" data-mid="145459072" border="0"  src="https://freight.cargo.site/w/1000/i/603a8ac580a73505c0c02683e0ba4cd2307e970a5a4bc705c3142b16d7b36265/Dyson-2-BFA_35062_4799855.jpg" /&#62;
&#60;img width="3600" height="2395" width_o="3600" height_o="2395" data-src="https://freight.cargo.site/t/original/i/7258df29e70bbb3dd4e074d0149e03dae078025a573ad0c83200214a3c8b6cd3/Dyson-1-BFA_35062_4799852.jpg" data-mid="145459073" border="0"  src="https://freight.cargo.site/w/1000/i/7258df29e70bbb3dd4e074d0149e03dae078025a573ad0c83200214a3c8b6cd3/Dyson-1-BFA_35062_4799852.jpg" /&#62;

&#60;img width="3600" height="2395" width_o="3600" height_o="2395" data-src="https://freight.cargo.site/t/original/i/5cec3ede1a77e7619154bca176ddd46e6ae3a763e526e603e20cf6db15b54edf/BFA_35062_4799853.jpg" data-mid="145459070" border="0"  src="https://freight.cargo.site/w/1000/i/5cec3ede1a77e7619154bca176ddd46e6ae3a763e526e603e20cf6db15b54edf/BFA_35062_4799853.jpg" /&#62;

	My role: Exhibition design of Torkwase Dyson's participation at the "Set It Off" group exhibition.&#38;nbsp;

Installation view of Torkwase Dyson as part of Set It Off at the Parrish Art Museum, Water Mill, New York, May 22 to July 24, 2022. Curated by Racquel Chevremont and Mickalene Thomas—collectively known as Deux Femmes Noires. Photo: David Benthal
	
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	<item>
		<title>1919: Black Water, Torkwase Dyson</title>
				
		<link>https://fernandacarlovich.com/1919-Black-Water-Torkwase-Dyson</link>

		<pubDate>Tue, 17 Aug 2021 14:56:50 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

		<guid isPermaLink="true">https://fernandacarlovich.com/1919-Black-Water-Torkwase-Dyson</guid>

		<description>1919: Black Water

Torkwase Dyson


Arthur Ross Architecture Gallery
Columbia University, New York NY
August 2019



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&#60;img width="5357" height="2231" width_o="5357" height_o="2231" data-src="https://freight.cargo.site/t/original/i/8516a798d42833964002008a08a633ff1ecbb94da40cfcabb867c2e744eee1a9/TorkwaseDyson-4607.jpg" data-mid="145455938" border="0"  src="https://freight.cargo.site/w/1000/i/8516a798d42833964002008a08a633ff1ecbb94da40cfcabb867c2e744eee1a9/TorkwaseDyson-4607.jpg" /&#62;



	"For her exhibition 1919: Black Water, Dyson presents new paintings, sculpture, and drawings that respond to the 100th anniversary of the “Red Summer” of 1919, a period of heightened racial violence across the United States. Her point of entry is a tragic episode that unfolded in the segregated waters of Chicago’s South Side beaches. On July 27, 1919 five black teenagers went swimming in Lake Michigan with a homemade raft and drifted near the unmarked boundary that extended from the black and white beaches. As tensions between black and white beachgoers erupted on the shore, a white Chicagoan assaulted the boys in the water, throwing stones at them. One of the boys, Eugene Williams, was struck in the head and drowned. Upon news of his death, violence escalated on the beach and intensified when a white police officer refused to arrest the man responsible for the boy’s death, yet arrested a black man upon complaints from a white man at the scene. Over the next five days rioting and racial attacks spread throughout Chicago.

The exhibition advances Dyson’s research on the ways that water, historically and in the present, operates as a contested geography and how climate change disproportionately affects people of color around the world. It connects her interest in emerging discourses on the plantationocene with her idea of “Black Compositional Thought,” a working term that considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by black bodies and how the attendant properties of energy, space, and objects interact as networks of liberation."The exhibition 
1919: Black Water was organized by Columbia GSAPP and curated by Irene Sunwoo, GSAPP Director of Exhibitions and Curator of the Arthur Ross Architecture Gallery.
GSAPP student project team: Fernanda Carlovich, Anoushaé Eirabie, Tung Nguyen, Alexandra Tell
My role: fabrication of objects, art assistance, exhibition designTorkwase Dyson, Exhibition View of Black Water 1919, 2019. Courtesy of Arthur Ross Architecture Gallery, Columbia GSAPP. Photographer: Nicholas Knight. 


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		<title>Curricular Exchange, CCCP/2020</title>
				
		<link>https://fernandacarlovich.com/Curricular-Exchange-CCCP-2020</link>

		<pubDate>Tue, 17 Aug 2021 11:55:25 +0000</pubDate>

		<dc:creator>Fernanda Carlovich</dc:creator>

		<guid isPermaLink="true">https://fernandacarlovich.com/Curricular-Exchange-CCCP-2020</guid>

		<description>Curricular Exchange
CCCP/2020
Sharjah Architecture Triennial
November 2019

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	The course syllabus is a powerful pedagogical tool ­— a document that maps a certain terrain of research. It aggregates texts and authors and can make theoretical and political claims, all in order to pass knowledge from one person to another. Syllabi represent the process of circulating material that is ofter trapped behind institutional walls or paywalls, and that moves unevenly across national, cultural, and geographic boundaries. The syllabus thus poses questions about access to education, knowledge circulation, intellectual property, and copyright. 

Curricular Exchange looks at the Triennial as a critical node in the production of architectural knowledge. The installation is an experimental space for the free exchange of syllabi. Visitors are invited to print a syllabus, leave a syllabus, and consider the stakes as they make the exchange.
Project page here.&#38;nbsp;Sharjah Architecture Triennial Rights of Future Generations
My role: Participated collectively in research, curation, exhibition design, and fabrication.

 




CCCP2020 is Jumanah Abbas, Fernanda Carlovich, Axelle Dechelette, Francesca Johanson, Zoe Kauder Nalebuff, Emma Macdonald, Isabelle Tan, Alexandra Tell, Jose Luis Villanueva, Chenchen Yan.


Photos by Emma Macdonald.




	


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